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Choice |
ID |
Image |
Painting (From A to Z) |
Details |
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62502 |
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Brunhilde Observing Gunther |
Whom She Has Tied to the Ceiling 1807 Pencil, pen and ink and wash, 483 x 317 mm City Museum and Art Gallery, Nottingham The subject is taken from the Niebelung Saga (X, 648-50). Author: FUSELI, John Henry Title: Brunhilde Observing Gunther, Whom She Has Tied to the Ceiling Form: graphics , 1751-1800 , Swiss , other |
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71063 |
 |
cauchemar |
mk289 1781 detroit the detroit lnstiute of arts |
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43943 |
 |
Dante and Virgil on the Ice of Kocythos |
390 x 274 mm |
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91469 |
 |
Die Einsamkeit bei Tagesanbruch |
1794-1796
Medium oil on canvas
Dimensions Deutsch: 95 x 102 cm
cjr |
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89245 |
 |
Die Sunde, vom Tod verfolgt |
1794-1796
Medium oil on canvas
Dimensions Deutsch: 119 x 132 cm
cjr |
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44114 |
 |
Ezzelin and Meduna |
1779
Oil on canvas,
45,7 x 50,8 cm |
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83417 |
 |
Fairy Mab |
1815-1820
Medium Oil on canvas
Dimensions Deutsch: 70 x 90 cm
cyf |
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94426 |
 |
Johann Heinrich Fussli im Gesprach mit dem Zurcher Historiker und Literat Johann Jacob Bodmer |
1778-1781
Medium oil on canvas
Dimensions Deutsch: 163 x 150 cm
cjr |
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94428 |
 |
Kriemhild zeigt Gunther im Gefangnis den Nibelungenring |
50 x 38,4 cm
1807
cjr |
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80605 |
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Lady Macbeth receives the daggers |
Date 1812(1812)
Medium oil on canvas
Dimensions 101.6 x 127 cm
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52497 |
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Lady Macbeth with the Daggers |
1812 Oil on canvas, 101,6 x 127 cm |
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66526 |
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Liegende Nackte und Klavierspielerin |
71 ?? 99 cm (27.95 ?? 38.98 in)
1799-1800 |
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70900 |
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Liegende Nackte und Klavierspielerin |
1799-1800
Oil on canvas
71 x 99 cm (27.95 x 38.98 in)
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71909 |
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Liegende Nackte und Klavierspielerin |
Date 1799-1800
Dimensions 71 x 99 cm
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70853 |
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Nachtmahr |
Medium Oil on canvas
Dimensions 101,6 x 127 cm
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62845 |
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Portrait of a Young Woman |
101 x 127 cm Institue of Arts, Detroit This portrait is painted on the reverse of the Nightmare. The portrait is generally believed to be of the woman Fuseli loved, Anna Landolt, who was a niece of the Zerich physiologist Johann Caspar Lavater (1741-1801). Lavater and Fuseli were close friends, but Fuseli's suit was rejected by Anna's parents, and it may not be coincidence that the portrait is on the reverse of his painting The Nightmare. Artist: FUSELI, John Henry Title: Portrait of a Young Woman , painting Date: 1751-1800 Swiss : portrait |
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94427 |
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Reiter von Riesenschlange uberfallen |
39 x 31,5 cm
c. 1800
cjr |
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52492 |
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Silence |
1799-1801 Oil on canvas, 63,5 x 51,5 cm |
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74235 |
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Sleep and Death carrying away Sarpedon of Lycia |
Date 1803
Medium Oil on canvas
Dimensions Deutsch: 91,4 X 71 cm
cyf |
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62501 |
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The Artist Moved by the Grandeur of Antique Fragments |
1778-79 Red chalk on sepia wash, 415 x 355 mm Kunsthaus, Z?rich The young Henry Fuseli, in the late 1770s, portrayed himself reduced to despair before the vastness of Rome's remains. Since he had spent eight years studying in the city, his awe was doubtless exaggerated, but it was also a premonition of the powerful emotions that were to be released in his art. Author: FUSELI, John Henry Title: The Artist Moved by the Grandeur of Antique Fragments Form: graphics , 1751-1800 , Swiss , other |
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80377 |
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The Awakening of the Fairy Queen Titania |
Date 1775-1790
Medium Oil on canvas
Dimensions Deutsch: 222 x 280 cm
cjr |
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84626 |
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The Awakening of the Fairy Queen Titania |
1775-1790
Medium Oil on canvas
Dimensions Deutsch: 222 x 280 cm
cyf |
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40607 |
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The Nightmare |
mk156
1781
Oil on canvas
101.6x127cm
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66529 |
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The Nightmare |
Oil on canvas
101,6 ?? 127 cm
1781 |
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52491 |
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The Shepherd's Dream |
1793 Oil on canvas, 154,5 x 215,5 cm |
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44115 |
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The Shepherd-s Dream |
1793
Oil on canvas,
154,5 x 215,5 cm |
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91388 |
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Theodore Meets in the Wood the Spectre of His Ancestor Guido Cavalcanti |
1783(1783)
Medium oil on canvas
Dimensions 276 x 317 cm (108.7 x 124.8 in)
cyf |
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70817 |
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Titania is leevtallig met Bottom met de daare Eselkopp |
Medium Oil on canvas
Dimensions 169 x 135 cm
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66528 |
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Titania liebkost den eselkopfigen Bottom |
1793/1794
169 ?? 135 cm (66.54 ?? 53.15 in)
Oil on canvas |
